Avid Tutorial - How to Set Default Font Sizes

By default, the font size in Avid Media Composer for both your Project window and for all of your bins is 11. If you're like me, you need a slightly larger font size so your eyes aren't strained. However, you don't want to go through the trouble of adjusting the font size for all of your bins one at a time. Fortunately, there is a way to set the default font size for all of your bins and the project window. Watch the video to find out.

  1. At the top of your Project window, find the Settings button and click it.
  2. Scroll down until you find the settings for Interface (or just type "i" on your keyboard to jump all the way down to all settings options that start with "i").
  3. Double click Interface to pull up the Interface window
  4. Make sure the boxes next to "Override all Bin font sizes" and "Override Project font size" are checked.
  5. Type in your desired font size for each.
  6. Click "Apply" in the bottom right corner of the Interface window.

That's it. What other Avid Media Composer tips do you have? Leave them in the Comments section.

Are Zoom Shots Wrong?

 Image courtesy of  Juno Namkoong Lee

Image courtesy of Juno Namkoong Lee

I recently watched a promotional video that employed the use of zoom shots quite a bit. You've probably seen this technique used in corporate work and local commercials. You know, the shot starts out tight on the sign overhead the store front and then the camera slowly zooms out to reveal the building? Or the interior shot that starts out on a wide and slowly zooms in to a specific product on the shelf?

When I saw this technique used again and again in the video I was watching, I have to admit that I had a negative reaction. Then I started thinking, "Why?" What was it about seeing a shot zooming in or zooming out that affected my emotional response to the piece? Is it wrong? Is it a violation of some cinematographer code?

The short answer is, "Maybe." In my opinion, contrary to what others in the industry may say, zoom shots are not old-fashioned. Serious and well-respected filmmakers still use them, as the following video discusses. But before you consider this carte blanche to start zooming in and zooming out on every shot, remember that choosing to move (or not move) your camera will impact your piece and will result in an emotional response from your audience, whether positive or negative.

As you learned from the above video, using the zoom is another tool in the cinematographer toolbox. Like any tool, it should be used at the proper time to achieve the proper result. It should be used for good reason. I don't want to watch an entire video where every shot is either zooming in or zooming out. But I also don't want to watch an entire video that utilizes nothing but jib shots or dolly moves.

The problem with zooming is not the act itself, but choosing when to zoom. Every composition, every move, should be motivated. It should enhance the story you're trying to tell, not distract from it. If there's no good reason to zoom, maybe you should try a different technique. However, using the zoom at the right moment, and in the right way, can be beneficial to your video.

What are your thoughts on zoom shots? How do you feel about them? What advice would you give to other shooters? Leave your thoughts in the the Comments.

Best Practices For Working With Non-Professional Actors


In my video production career I have predominantly worked with non-actors and the challenge is always the same: how can you capture natural, believable footage from people who aren't trained to perform in front of a camera?

If you've been hired to shoot a commercial for a local restaurant or a sales video for a niche product manufacturer, you will at some point be directing the people who actually work at these businesses. So, here are some things that have helped me get the most out of my non-professional on-camera talent.

  1.  Spend a few minutes with them before bringing them to set.  Introduce yourself. Find out something about them. Talk about things unrelated to the shoot. Get them talking about themselves. Smile. Laugh. Be personable. Build trust. The more comfortable they are with you, the more willing they'll be to take direction when the cameras roll. 
  2. Be very clear about what you are trying to accomplish.  Believe it or not, sometimes the business rep who shows up for the shoot has been "volun-told" by a superior to be involved in the production and he/she may not even know what the video is really about. Don't assume he/she knows what's going on. Spell out explicitly what the scene is about and what you will be asking him/her to do. Answer any questions that may come up. Remember, the more comfortable the talent is, the better the footage. 
  3. You are setting up scenarios, not staging scripted scenes.  If you come to set and start giving a long list of specific, scripted directions to your talent ("Now, at THIS point you will cross to THIS side of the room and stand HERE, turning 3/4 to camera BEFORE delivering your line...") they will immediately tense up and deliver a performance that feels too rigid and unnatural. Why? Because they aren't accustomed to taking direction, hitting marks and nailing the timing that comes from years of actor training. Instead of specific, scripted direction, focus on setting up a scenario; something they do every day while doing their job. Keep the direction loose, start rolling, and capture the scene much like you would if it were a documentary. Remember, your job is to capture an authentic moment.
  4. Be willing to pivot.  Sometimes your talent might tell you, "I wouldn't necessarily do it this way." Okay. Great. Tell them to perform the action the way they normally would in their day-to-day jobs. They'll be more confident and comfortable and your footage will look more natural.  
  5. Remind them not to look at the camera.  Don't scold them. Don't yell "Cut!" as soon as you see them look over to the lens. Let the scene play out, then walk over to make adjustments, using that moment as a gentle reminder. It is so hard for people not to look at the camera.  
  6. Tell them what you're doing on set as you're doing it.  Non-professional actors don't know what coverage is. They might not understand why you keep moving the camera around and why they have to repeat the same action over and over. Remember, your job is to make them comfortable. Constantly explain what you're doing ("Okay, now I'm going to zoom in for a tighter shot so I can get that same action in close-up.") so they feel reassured that they aren't doing anything wrong.

These are the techniques that have worked for me over the years and the more you practice them, the easier it will be to draw out the best from your on-camera talent.

What methods have worked for you? Leave your suggestions in the Comments.