The Memphis Film Prize has announced the Top 10 Finalists for the 2019 festival and I’m excited to say that my short film Hangry has made it into the Top 10. The festival is scheduled August 2-3 at the Malco Studio on the Square in Memphis. There will be multiple opportunities to see Hangry throughout the weekend. Click here for a complete schedule. There will also be one-on-one Q&A sessions with each filmmaker during the festival weekend. The Grand Prize Winner will receive $10,000 and is determined by a combination of audience votes and judges’ scores. If you’re in the Memphis area that weekend, please make plans to attend and support Hangry.
I’m proud to announce that my short film Big and Tall is now available on Amazon Prime. You can watch it for free if you’re a Prime Member, but if not, there are also rental and purchase options available.
Big and Tall is a light-hearted, fun, and adventurous short film about Molly and her best friend Devon, who set off together into the woods to find proof of a mythological creature.
Please be sure to watch, rate, and review the film. This will help support the wonderful cast and crew who helped me make the film, and it will help others find it.
The official poster for my upcoming short film Hangry has been released. I’m currently in post-production and will be delivering a rough cut to the Memphis Film Prize on June 12. If Hangry is selected to the Top 10, it will screen along with the other nine finalists during the first weekend of August. In the meantime, be sure to Follow on Twitter and Like the official Facebook page to stay up to date.
You want to make a short film, so, you text a few friends and ask for their help. Then, you reach out to others in your network to see who might be interested and slowly start to build your team.
But did you know that HOW you go about building your cast and crew will have either a positive or negative impact on the overall production experience AND the final film?
Let’s say that when you first contact people you simply ask, “Hey, want to help me make a film?” and they say “Yes.” Then you approach 10-20 more people with the same pitch and they all say “Yes.” At this point you’re feeling pretty good. You have enough hands on set to help out with everything you’ll need during production.
When everyone arrives on set for the first day of filming no one is EXACTLY sure what they’re supposed to be doing, what they were supposed to bring, who they’re supposed to be helping, and what their essential function is. You have enough people on set to get the job done, but confusion reigns because specifics are unclear. This can affect morale, slow the shoot down, and ultimately compromise the production quality of the final film.
Now, imagine you build your volunteer crew another way? Instead of asking, “Do you want to help?” say this, “I’m producing a short film and we really need someone who can oversee continuity. Can you do that for us?”
Give EVERYONE a specific job to do, so he/she will know exactly what to prepare for, what to bring, and what to do while on set.
The number of pre-production meetings you schedule should be in direct proportion to the scope and complexity of the shoot. You don’t need to meet every single day (Remember, these are people volunteering for your film, so be respectful of their time), but you do need to meet to review on going action items and to ensure every one is on the same page. For my latest short film Hangry, I met with my crew four times prior to the shoot.
PROVIDE A SHOT LIST AND PRODUCTION SCHEDULE
The crew likes to know what’s going on so they have an idea of what they’re working toward and what needs to be accomplished each day. Take the time to make a shot list and production schedule and distribute both to your crew.
Set aside time for a tech scout with your key department heads. This will give them the opportunity to see the space and ask any logistical questions pertinent to the shoot, like where to load in and store gear, what’s allowed/not allowed while in the space, where will all departments set up, etc?
Just because you may be working on a no-budget short doesn’t mean that the set can’t be (or shouldn’t be) professional. Everyone’s experience while on set will be much more positive if you go about preparing the right way.
Have any thoughts to add? Leave them in the Comments.