'Big and Tall' Accepted to Lake Charles Film Fest

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Big and Tall, the short film I wrote and directed last year, has been accepted to the Lake Charles Film Festival coming up October 5-6 in Lake Charles, LA. Now celebrating its 7th year, the Lake Charles Film Festival is brought to you by Louisiana Film & Video Art, Inc. and was formed to bring quality independent film & music festivals, special film screenings, and educational filmmaking & music workshops to Lake Charles. Screening info for Big and Tall will be announced once the festival schedule is released.

Sidewalk Film Festival Photo Gallery

I had an excellent time in Birmingham this past weekend for the 20th annual Sidewalk Film Festival. My short film Big and Tall screened Saturday morning and received a great reception from the audience. Here are some pictures from the weekend.

Meet St. Jude Patient Emily

Emily was diagnosed leukemia when she was a junior in high school. She received treatment at St. Jude, where she didn't just survive, she lived. While at St. Jude, Emily could feel the overwhelming support of Tri Delta women everywhere. This is a patient story I recently completed for St. Jude that highlights the partnership the hospital has with the Tri Delta sorority.

Here's Why Your Short Film Script Isn't Working

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I really enjoy working in short films. Over the years I've written, directed, and edited close to 20 shorts. I've read many short film scripts. I've seen dozens of shorts at various festivals. I've judged short film screenplay competitions. The more I see, the more I read, and the more I create, the more I start to see and understand why certain short films succeed, and why others fall short.

Here are a few common denominators I've seen among those short films (including my own) that just don't work. If you avoid these while writing your next script, the finished film will be a lot stronger.

Too much backstory

Short films offer audiences brief glimpses into a world. We don't necessarily need to know how we got where we are. What's most important is what's happening right now, in this moment. Eliminate anything that has to do with backstory. 

Too much set up

Have you ever listened to people at a party try to tell a joke, but they get so bogged down in the details of the setup, that by the time they finally reach the punchline you've lost interest? The same is true for short films. If you take too long to get to the core essence of what you're film is about, then viewers will lose interest.

Too much exposition

Christopher McQuarrie, writer and director of Mission: Impossible - Rogue Nation and Mission:Impossible - Fallout, said (in an interview on The Q&A Podcast with Jeff Goldsmith) that "Information is the death of emotion." Don't have your characters tell each other exactly what they're thinking or feeling. Use subtext. Don't tell the audience exactly what's going on. Convey that information visually.

Too much voice-over

In my opinion, voice-over is often unnecessary for one main reason - it doesn't add anything to the story that can't already be ascertained by what's happening on screen. When executed correctly, voice-over can provide the viewer with necessary context. It can also be used for comedic effect. But if you're thinking about using voice-over, I would recommend first writing your script without it. See if the story works. If not, then carefully introduce voice-over in very strategic spots.

Too many flashbacks

Flashbacks are dangerous in a feature-length film because they can completely kill the forward momentum of the story. So they should definitely be avoided in a short film. But hey, we've all used them before. I know I have. However, I've since learned my lesson. Remember, you want your short film to get straight to the point. Flashbacks only add to the time it takes to get your audience from A to B.

Too on-the-nose

One of the great things about art, be it paintings, books, or films, is that it's always up to interpretation. It's fun to discuss art; its themes, emotions, motivations, etc. So it's disappointing when I see short films or read scripts that tell me exactly what it's all about. It feels like some kind of after-school special, where characters tell us the main lesson just before the credits roll. "See Timmy, good friends make all the difference." Don't preach to your audience. Be subtle. Don't be afraid to be ambiguous. Life is messy. Some things are better left unsaid. If your character motivations are clear, and the story lean and concise, the themes will be evident.

As you read through these tips you may have noticed how many times I used the phrase "Too much..." That's because the best short films are the ones that keep everything simple.

What other tips do you have for creating a really strong short film? Leave them in the Comments section below.